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You made work that inspired the hearts of millions. But the love is gone, and your flaws are now constantly on display. The money is coming in, and nobody dares speak ill of you. In the most extreme cases, just hearing your name attached to a work, even one connected to those beloved pieces you created in the past, makes people cringe where they once cheered. Not everyone goes from the very top to the very bottom. There's usually just enough people willing to watch your new stuff that you can still be considered commercially successful, even if they're also treating it as Snark Bait. The last physical issue I’ve run into for a long time with crop sensors is the fact that it really puts blinders on your wide angle lenses. I have owned one fisheye lens in my life, had it for about two years, didn’t use it much (or only used it as a crutch when I couldn’t think of something more interesting to do), and then I sold it. Get a basic hold on some math and then go get those moments!However, through that time I still argued that 35mm full frame was still a small format. It’s a tiny ass little itty bitty format when you compare it to the other formats of photography out today. The thing that I would first consider is depth of field. Medium format then gives you a look and feel that can’t be achieved in smaller formats. You go shoot a portrait with a large format camera, nail that exposure, nail that print… You are cheating yourself out of something mystical, magical, and a royal pain in the ass. He’s still traveling the world with large format cameras and film and all the PITA stuff that goes with that. I didn’t think that full frame was better just based on size. Some of the trolls out there are going to think this is a Fuji sponsored message. While Fuji is a client of mine and I have done work for them they sure as hell don’t keep food on my table or a roof over my head on any sort of regular basis. The larger the sensor, the shallower the depth of field you get at a given aperture. Photography is art and science and you need to have a foot planted in each of those to be a well-rounded photographer. Here’s what I know: Aperture, focal length, camera to subject distance, and sensor size ALL play a role in depth of field. That’s why I study the likes of Avedon and Mary Ellen Mark and Dan Winters; it’s because of all their gorgeous math. Take a photo with your DSLR at f1.8 and then take the same shot with your cell phone. You are currently standing on the shoulders of many a large format photographer. It gives you a whole new perspective on DSLR photography. You’ll appreciate the speed and agility the 35mm or whatever gives you but you’ll realize how much you are missing as well. You’ll be thankful for your Canon or Nikon or Fuji but you will know there is something out there in the photographic world that it just can’t touch. His coverage of the Olympics with that old Speed Graphic is fantastic and unlike anything other photographers were shooting there. I guess if your name isn’t Greg or Gregory you just need to stick with small format stuff. Cary is a photographer’s photographer and shoots just about every format known to man. Then I started putting the Q&A book together and I had the chance to run pages of test prints for the book. My Fuji images ran side by side with D3 and 5d2 images without a single noticeable drop in quality. The thing that made me stop and stare though is the focus falls off. Cheers, Zack A full time commercial and editorial photographer, Zack shoots everything from bands to CEOs to ad campaigns. I received the test prints back and I taped them to the wall and took one step back. It has a shallow depth of field and the background is out of focus.
Where things start to get confusing and is the topic of many a debate on forums is focal length of lenses and equivalent focal lengths in regard to crop sensors and all that. The only other thing we have to look at is focal length and sensor size.
Compare Never Live It Down, in which a creator is identified with the worst thing they ever did; they may have done successful work before and since, but they never had the prestige and adoration that makes a Fallen Creator. Sort of the opposite of He Really Can Act, when someone despised proves they can do well.